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Stagecoach (1939)
John Ford's western classic (his first
of many trips to Monument Valley) is arguably the best example of
magnificent studio filmmaking. It contains every element, and puts it to
best possible effect as Ford displays his immaculate ability to let
every image and every segment pilot his narrative forward with
impressive vigor. Stagecoach sets off with perhaps the best ever
opening sequence in classic narrative filmmaking as we are introduced to
the film's many distinctive characters. These are not all necessarily
multi-dimensional, but they are so brilliantly conveyed and interlaced
that they all keep their essentiality to the story up until the very
end. John Wayne defined the western/loner role and Ford took the western
genre to the next level. Arguably the first ever road movie, this is a
calculated, energetic and incredibly amiable piece of film history.
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