|
|
Citizen Kane (1941)
The career of Orson Welles is a perfect
example of that if you start off too brilliantly, you're more or less
bound to go downhill from there. However, if the signature film you
leave behind is Citizen Kane you shouldn't be too dissatisfied. It has every element of a true
classic in it, and its timelessness becomes more and more apparent as
time goes on. What is perhaps most mesmerizing about the film
is the range of its themes and the incredible force with which they are
delivered. Not many movies have the amount of implicit meaning, imagery,
allegories and discussions that Citizen Kane carries. It raises
questions of moral, human, political and social character, and it does
it balanced, nuanced and with dignity. Welles direction is brilliant
(the use of shadows here is groundbreaking), but his acting is (if
possible) even better. His Charles Foster Kane spans a lifetime and
Welles ages with him as if he'd lived the life himself. A uniquely rich
motion picture that is as compelling on the fifth viewing as on the
first.
|
||||||||||||||||||||||||||||||||||