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The
Chumscrubber (2005)
Arie Posin's The Chumscrubber falls into line with a series of segmented, tangentially connected ensemble films that provides a skewed, semi-philosophical take on life. This is classic Paul Thomas Anderson/Todd Solondz territory, and in Posin's version, the tone and themes draw inspiration from a cross between Desperate Housewives and The Stepford Wives. The result is amusing and often interesting, with Glenn Close and Jamie Bell in particular revelling in their roles. Posin touches some poignant details, and shifts deftly and elegantly between moods and tenors. As a social comment, The Chumscrubber attacks the perfect suburban facade that is being held up by easy prescriptions, but Posin's satire is never cutting. As much of his film, he's gentle and mild, more often than not just scratching the surface. His observations and ideas are too recycled to make a lasting impression, and the chumscrubber - believing to be the figure uncovering the truths - becomes more of a showcase than anything else.
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